The Pro-Ject Debut Carbon Evo is an unsuspended, belt driven turntable and latest scion of the Debut line. This, should you happen to have spent the 21 st century in a cave, is one of the pillars on which the vinyl revival is based. We can state with the sort of hindsight fueled assurance that we all fall into if we’re not careful, that it was inevitable that a device like the original Pro-Ject Debut would have been released by somebody. I will go on record as saying I’m not as sure. The success of the original Debut looks inevitable from 2020 but it really wasn’t at the time. What the Pro-Ject System does so well is give you the integration, flexibility, and convenience of an all-in-one but in a manner that is entirely Pro-Ject and tremendously appealing as a result. We might seem too enthusiastic about a player in this price range, but the truth is that for the asking price, the Debut Carbon EVO does it all so well that it is hard not to admire the merit of the Austrian company.

Our review sample is in Fir Green, and very nice it looks too. The finish is flawlessly smooth, and as reassuring as the build quality. A floating sound, big soundstage, extreme attention to delivering a deep emotional connection with the music. Setting up the Debut Carbon EVO is ridiculously easy. Simply add the drive belt, platter and weights, and you'll be ready to drop that needle on the groove. Pro-Ject Debut Carbon EVO review: Sound

There's no built-in phono preamp with this model, though Pro-Ject goes some way towards compensating for this by including its high-quality Connect It E phono RCA cable in the box, ready for you to connect up your own device. The turntable to which this arm is attached is also recognisably a Debut but one that a fine tooth comb has been applied to. The platter is made from steel, as it has been on many previous iterations but there is now additional dampening. This takes the form of a ring of TPE (Thermoplastic Elastomer) around the inner lip of the platter and it results in a pleasingly inert sound when you tap it. Of course, that is of little surprise. The company has long proven its ability to offer up a magnificently plush midrange, with vocals so often a particular treat when given so much warmth and held up by plenty of weight in the bass. A classic signature feature of the original model that has been carried through is the carbon tonearm. Usually found on more expensive turntables, this provides significant benefits to the sound quality. Being stiffer than steel, the tonearm is more rigid, which helps reproduce the music more accurately. In short, the music sounds tighter, punchier and more detailed. The service from Richer has always been so good there was no choice where I would buy my replacement.

The Carbon EVO had a good range, a sense of transparency and speed while at the same time being soft and relaxed, with a slightly dark character, which rules out any possibility of roughness.Whether or not the Debut Carbon Evo is the best record player for you might be decided by whether you prefer its fuller, more relaxed character or the more spritely and lean alternative of its main competitor. Right from the beginning, the Pro-Ject Debut Carbon EVO was far better: more emotional and weighty, more living-and-breathing, more detailed, more dynamic, more spacious. Also much more engaging and resolute without any distraction of harshness. There’s heat in the low frequencies, certainly, but they’re not overcooked and it’s certainly not at the expense of detail or texture. There’s a similarly lavish amount of detail retrieved in the midrange – it reveals so much about the glee and malevolence Nina Simone imbues her performance with it’s almost hair-raising – and while the top end is rolled off just fractionally, it’s far from a blunt instrument. Like any worthwhile turntable, it’s very adept and tying everything together. There’s a tangible sense of performance from the Evo, even when it’s playing cut’n’paste collages from the likes of A Tribe Called Quest. The unity of a recording, the way the midrange rides on the low-frequency underpinnings, and the way the treble balances securely on the top, allows every record to sound coherent and convincing. Even with the most processed, machine-derived recordings, this Pro-Ject glides along with the sort of casual authority of sound that can only come from a well-sorted record player. I was half tempted to have a change but the sound from the Evo was just right for my ears and set-up it seemed silly to change.